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Hongkong Airline Destroyed Guitar!

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As the Cuba guitarist Rene Izquierdo finished his concerts and workshops in Hongkong and want to go on to Taiwan, the Hongkong Airlines didn`t allow him to take his priceless Santiago Marine guitar into the cabin. They forced him to check in this expensive instrument with the argument “otherwise you have to buy a second seat”, what is outrageous.

Finally he needed to check in the guitar with the luggage. But he has a special flight case for his instrument , so if the Hongkong Airline would take care, it shouldn`t happen anything. But the untrained personal of the Hongkong Airlines managed to destroy the flight case with the guitar inside! It looks like evil intend!

Now this Hongkong Airline only want to pay 30 Dollar as a compensation like they always doing for normal luggage.

So please my dear friends! If you play guitar, don`t use the Hongkong Airlines!!! Other Airlines normally allows you to take your guitar into the cabin. Choose only airlines who allows you to take the guitar with you into the cabin.

And please sign this petition for us guitarists. I have already signed and I hope it will have some good result. :

Airlines: Please stop treating instruments like luggage. If you make us check in the instruments, make sure that is handle properly.

The First Shanghai International Guitar Week

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with: Fan Ye, Alberto Cuellar, Sergi Boadella, Gilbert Imperial, Cao Siyi, Julia Scheuffele, Lin Huanqi, Li Zhiqian, Michael Kern (Qian Yu), Shanghai RJ Big Band and Guitarshanghai!

Are the holidays too long for you? Hopefully not! But anyway: if you need some motivation for your guitar playing, you can join and listen to the concerts of the First Shanghai International Guitar Week.

Fan Ye, who is the founder of this event, just came back from his study abroad to offer such a nice idea to the Shanghai guitar lovers.

From the 12th till the 16th of August you have two guitar concerts a day. One is at the Shanghai Concert Hall (523 East Yan An Road) , beginn: 12.00 . And the other one is at the Chartes Dimanche Salon (246 West Fu Xing Road), beginn 20.00 . Alltogehter there are ten concerts with national and international guitarplayers.

Here you can download a pdf, with the full information about the artists and the programms: All musicians with both programm.pdf

My new Altamira Guitar

Recently I bought a Altamira Flamenco Guitar, Modell N700f. Also this guitar is not so very expensive, I am feeling very comfortable to play it – and not only for Flamenco Style!

Altamira is a Chinese brand, but now available in other countries, too.

Here a video where I use my new Altamira guitar to perform a piece from Baden Powell: Canto do Xango:

and here on Tudou:

 

 

FIVE SHORT STUDIES by Giuseppe Torrisi(This is a Guest Post by Dario Bitetti)

A music that was in danger of never to be heard and of remain locked in a drawer.
The Sicilian musician, Giuseppe Torrisi, twenty years ago conceived his project Five Short Studies for guitar, first he wrote the first, third and part of the second.
Recently, the great guitarist Giulio Tampalini got hold these scores and something contained in these pages hit his own sensitivity; his deep conviction that give life to those notes has prompted Torrisi to complete his original project.
Five Short Studies are born from the desire to collect, edit and communicate a musical experience acquired over the years.
Soft melancholy so dear to Agustin Barrios, impetuosity of whirling motions characterizing the pages of Heitor Villa-Lobos; from the few lines of each piece shines a
bright, clean state of mind, a brief and concise description of a feeling that is not hard to be perceived by the listener.
An emotion contained in such a short and complex musical text inevitably requires an execution that can convey that message fully, despite the many technical complexities
to be resolved with a reasonable amount of risk.
Tampalini was able to surprise, highlighting every intention of the composer: the phrasing and the communicativeness of its second and fourth study, the impetus and strength
emitted by the first and third, the great virtuosity required by the fifth are masterfully rendered by acclaimed performer on this first world recording.

It happens, sometimes, that someone notices a hidden voice, understands its emotion and has a sincere enthusiasm to give it to others.

Dario Bitetti (a dear student of M° Torrisi)

Also see:

Giuseppe Torrisi’s guitarfreescores.com

Watch Five Short Studies (Cinque Studi Brevi) on Giulio Tampalini’s YouTube

The studies are soon to be published by Les Productions d’Oz

Below is Studi No. 4

Take Five for guitar: comparison: George Benson, Chet Atkins, Igor Presnyakov and Julia Scheuffele

George Benson:

http://youtu.be/r0KOzrMUt10 – the embed version is not available for the video….-

Jazzguitar plus Band (Drums, Sax, Keyboard, Bass)
George Benson played that piece in e minor and during his improvisation he played – as usual – the blues scale in e minor, but with all extensions. He played a lot of sequenced riffs as it is usual to practice scales. Amazing is the speed he can do that! But the ground speed in this interpretation is very slow. Much slower as the Dave Brubeck Quartett played.

Chet Atkins arrangement obviously is influenced by the version of George Benson (or is it the opposite?) . Anyway this both versions have a lot of common in colour, rhythm and speed. And the key of the Atkins Version is e minor like George Benson played. I show you the interpretation of Mr.Spencer`s Chet Atkins version.

And now to the Version of Giuseppe Torrisi: this version is a technical difficult version for classical guitar. Its very near the original version of Dave Brubeck in tempo, harmonisation and feeling, but for guitar transposed into a – minor. The original is in eb minor, which is a big difference. But most of you can not hear that. Because it is for classical solo guitar, all the notes which are normally played by the band, came into the guitar version, which makes that piece more difficult. Even the improvisation part, which is not inside the arrangement, has to keep the Bassline all the time. You can find this arrangement for free on http://www.guitarfreescores.com

For my improvisation I ve got some inspiration from Igor Presnyakov, who played “Take Five” for Solo Guitar first and with his own arrangement.

the poor people, who are living in countries without youtube access can try to listen the version of George Benson and me on Tudou.com. The version of Igor Presnyakov and Chet Atkins you can not find there, really pitty for you!

Giuseppe Torrisi: Mazurka Triste

This beautiful mazurka is a composition of the italian guitarist and composer Giuseppe Torrisi. You can find a lot of his compositions und arrangements on his website
http://www.guitarfreescores.com

Giuseppe Torrisi is a self taught classical guitarist from Catania, Italia. He made his diplom as a guitar teacher at the conservatory “Tita Schipa” in Leece. He attended several postgraduate studies with world famous teachers like Diaz, Chiesa or Minelli

Since 1983 he is working as a guitar player on the Massimo Bellini Theatre and works together with different musical groups in order to bring out Sicilian musical popular traditions. In 1999 he released a solo CD “Dalla Sicilia al Sud America”. He writes a lot of transcriptions and arrangements for classical guitar.

I ve played this mazurka in my living room and then i used a trial edition of Adobe After Efekts to change the background.

South American Guitarmusic: Venezuela

These days in Shanghai is the music fair. A lot of guitar companies from the whole world are here to sell their guitars and other music instruments.

But instead of going to the music fair, I want to introduce Antonio Lauro to you:

Antonio Lauro was born on the 3th of August 1917 in Ciudad Bolivar, Venezulenas. With the age of nine years his family moved to Caracas, where A.Lauro studied music. At that time he mostly played the piano and violin. But later Augustin Barrios Magnore recovered A. Lauro and persuaded him to study guitar. So he studied with Raoul Borges and was introduced in the typical classical guitar repertoire.

As a member of Trio Cantores et Tropico, where Lauro sang the Bass and played the guitar he composed a lot of Valses for that Trio. Later mostly Alirio Diaz, who also was a student of Borges was responsible for making the unrecognized but wonderful pieces wellknown to a bigger audience.

In 1951/52 the militaery junta imprisoned A.Lauro because of his belief in democracy. Shortly before his death in 1986 he received the Premio National de Música, his country’s highest artistic award. (For more information please look at Wikipedia.org!)

Here is the Vals Venezulano Nr.1:

and again on Tudou for my friends in China:

Hallo to my students!

Because of some unexspected problems i have to delay my flight back to Shanghai and will arrive some days later. I am very sorry for all of you who are waiting for me! Probably we can start with the classes after the 24th of September.

As i didn’t bring my computer to Germany there is only some old video i can post today. Please keep on practice your guitar and enjoy your life! Best Regards…..

The Importance of Playing by Heart

As I was a student my guitar teacher always forced me to play every piece by heart. If I didn`t memorize a piece, I was not allowed to learn a new one till I could play the old one by heart and without any mistakes. I continued to do so my whole lifetime.

But working as a teacher I have a big problem: most of my students are not willing to practice like that. If I try to convince them to memorize their pieces, they often tell me, that they can not do that. And if they try, they often need a lot of time to finish one piece. And if they have memorized one piece, they start to forget another one. Why?

Most important reason for that difficulty is the fact, that my students are too busy with school and a lot of other activities. Often they even don`t have time to meet their friends or to play something during the week. Till ten o`clock at the evening they are still busy doing homework. And if they have a little free space, they like to watch TV or play with the computer.

The more busy a child, the worse the ability to imagine music and memorize the guitar pieces. That is really pity. Sometimes I think, it would be better for some of my students to do less at school and to spend more time with “nothing”, till the naturally ability comes back. Because it is “naturally” to remember a song that you ve played severall times. If you can not do this, means, that your brain is over stressed.

To play by heart helps you to develop your imagination and everything your right site of your brain is responsible for. It is evident, that people, who plays by heart have a better feeling as people who needs to watch the sheet.

To Play The Guitar Is Like Making Poesie

To play the guitar is more than practice an instrument. To play the guitar means to express the life. To show your “life – feeling” what means to make poesie. But in my eyes that doesn`t mean that you  completely need to play “ad libitum”.

I ve uploaded two different pieces. One is from the third year level and the other one is a very famous piece from F.Tarrega. It is the eighth level of the Shanghai guitar art examination book . Both pieces are very beautiful and full of “feeling”. And both pieces  have a strong rhythm that you can dance, if you want. I tried to respect the dance and to keep the structure. So i didn`t make too much “ad libitum” – and i hope that i nevertheless played with “feeling” .

Originally I want to talk about how to practice these pieces. But I have a lot of privat students, so the time to play my guitar becomes very short. And so I decide just to upload the videos (http://www.tudou.com/home/_61589702 or http://www.youtube.com/user/liatu?feature=mhee) and with the writing I am waiting for another time.

And here is Capricho Arabe of F.Tarrega: