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November, 2012:

An American Guest in the Guitar Salon

Shanghai is also culturally more and more developing and so the international musicians who want to settle down in Shanghai becomes more and more, too.

One of them is Luke Trimble, who has been living in Hawaii before and who is now living in Shanghai till July 2013. He currently teaches the guitar at the British School in Puxi.

At November the 7th he made a solo recital for invited guests at the Guitar Salon. Here his interesting program:

________________________________________________________
MANUEL PONCE Prelude
(1882-1948)
LEO BROUWER 8 Etudes from 20 Etudes Simples
(B. 1939)
HEITOR VILLA-LOBOS No Choro. 1, Tipico Brasiliero
(1857-1959)
BRYAN JOHANSON Spring, Op. 1
(B. 1951) I. Moderato e molto sostenuto
Adagio e cantabile
III. Allegro vivace
Johann Sebastian Bach from Partita for Solo Violin No.. 1 in B minor, BWV 1002
(1685-1750) I. Allemanda
transcribed by LUKE II TRIMBLE Corrente
III. Saraband
IV Bourree
HAROLD ARLEN Over the Rainbow
(1905-1986)
arranged by Toru Takemitsu
LOU HARRISON Serenade for Guitar
(1917-2003) I. Avalokiteshvara
II Music for Bill and Me
III. Jahla
IV Beverly’s Troubadour Piece
Augustin Barrios Mangoré Julia Florida
(1885-1944)

Most exciting for me were the relatively unknown pieces of the American composer Lou Harrison and Bryan Johanson. Lou Harrison`s piece which is composed for guitar with percussion is also played by the famous guitarist David Tannenbaum. Luke played this piece without the percussions, but that didn`t destroy its beautiness. For probably most of the audience this piece was the highlight of the evening.

Luke, who is not afraid to use the notes during his performance, told me that the Americans like to make more informell and relaxed concerts. In America it is not usual to watch a well-dressed guitarist, who is silent and lonely fighting with his program. Much more welcomed are an easy going guitarist, who is relaxed and connects with the music and the audience – and is reading part of the program from the score.

I still believe that it is ideal to remember your pieces by heart. That is, because you should use your right brain during a performance, what is mostly impossible if you are reading the partiture. But I agree with Luke, that it is much better to look in the partiture during a concert as to play with stress and anxiety.

And Luke played relaxed and connected with the music and the audience! It was a nice evening. Thank you, Luke!

Morning Improvisation with my Ipad

Thia morning I recognized that it is very easy to make recordings with the software garageband of my ipad.
I was so faszinated of that possibility, that I ve made a small improvisation with my guitar. Wish you all a nice day!

Morning Improvisation with my Ipad